https://articles.themuseumscholar.org/2021/12/09/challenging-white-supremacy-a-call-for-critical-race-theory-in-museums/2021-12-10T01:49:23+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/implementation-of-new-guidelines-for-museums-provenance-research%ef%bf%bc/2021-12-10T01:49:21+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/panels-of-power-exploring-the-role-of-credit-panels-in-museums%ef%bf%bc/2021-12-10T01:49:03+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/reframing-attitudes-and-habits-strategies-for-facilitating-learning-in-museums-among-students-with-disabilities%ef%bf%bc/2021-12-10T01:49:00+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/objects-provenance-and-cartography-in-curation-the-use-of-maps-on-labels-at-the-risd-museum/2021-12-10T01:48:58+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/inherently-political-museums-how-does-the-white-cube-affect-arts-agency/2021-12-10T01:48:56+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/no-need-for-sugar-the-responsibility-of-museums-to-communities-of-trauma%ef%bf%bc/2021-12-10T01:48:55+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/us-not-other-co-creating-space-for-cooperative-learning/2021-12-10T01:48:54+00:00monthlyhttps://articles.themuseumscholar.org/2021/12/09/site-of-conscience-parque-por-la-paz-villa-grimaldi-a-site-museum-that-connects-its-social-function-with-communities-and-territory%ef%bf%bc/2021-12-10T01:48:48+00:00monthlyhttps://articles.themuseumscholar.org/2021/10/03/amplifying-the-voice-of-the-community-engendering-inclusivity-for-spanish-language-programming-in-museums-by-putting-it-firstus-not-other-co-creating-space-for-cooperative-learning/2021-10-15T21:12:12+00:00monthlyhttps://articles.themuseumscholar.org/2016/08/02/vol1no1groninger-2/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d433-byncnd-1483716637-27.pngbyncnd-1483716637-27.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/98bfb-rplogolor-1483716607-22.pngrplogolor-1483716607-22.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/50ed2-tmsjpg-1483716583-7.jpgtmsjpg-1483716583-7.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/97b71-12472360101-1470176109-92.jpg12472360101-1470176109-92.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/b6b4a-jmetphotos-1470175835-69.jpgjmetphotos-1470175835-69.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2e94d-bmetphotos-1470172130-54-1.jpgbmetphotos-1470172130-54.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d0538-bmetphotos-1470172130-54.jpgbmetphotos-1470172130-54.jpg2021-04-20T18:25:50+00:00monthlyhttps://articles.themuseumscholar.org/2017/01/05/vol1no1wunderlich/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/6a690-byncnd-1483659752-49.pngbyncnd-1483659752-49.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/db23c-rplogolor-1483659647-68.pngrplogolor-1483659647-68.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a5ce7-tmscopy-1483660554-19.jpgtmscopy-1483660554-19.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c20e7-italy2650-1483718014-18.jpgitaly2650-1483718014-18.jpgThe unveiling of the Euphronios Krater, returned to Italy by the Metropolitan Museum, 2006. Photo: Plinio Lepri ©Associated Press.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/c7a42-untitled0p-1483717505-55.jpguntitled0p-1483717505-55.jpgA reconstruction of Kennewick Man now confirmed to be of Native American descent. Photo: Brittney Tatchell ©Smithsonian Institution.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/53a2c-michaelcca-1483653198-6-1.jpgmichaelcca-1483653198-6.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/43b2c-michaelcca-1483653198-6.jpgmichaelcca-1483653198-6.jpg2021-04-20T18:17:51+00:00monthlyhttps://articles.themuseumscholar.org/2017/02/06/vol1no1gonzalez/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b9d2d-byncnd-1486498266-97.pngbyncnd-1486498266-97.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5a9f6-rplogolor-1486498248-71.pngrplogolor-1486498248-71.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/519da-tmscopy-1486498225-18.jpgtmscopy-1486498225-18.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/6db0c-screenshot-1486496426-97.pngscreenshot-1486496426-97.pngTwitter feed of Bexley Heritage Trust, @BexleyHeritage, featuring exhibitions, events, and more. https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0f395-screenshot-1486492343-32.pngscreenshot-1486492343-32.pngThe Met’s featured artwork posts on Facebook link visitors directly to the “Heilbrunn Timeline of Art History” on the museum’s website.    https://articles.themuseumscholar.org/wp-content/uploads/2021/04/fd42d-screenshot-1486492074-90.pngscreenshot-1486492074-90.pngThe Met’s featured artwork posts on Facebook link visitors directly to the “Heilbrunn Timeline of Art History” on the museum’s website.    https://articles.themuseumscholar.org/wp-content/uploads/2021/04/9176b-screenshot-1486491862-3-1.pngscreenshot-1486491862-3.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/30864-screenshot-1486491862-3.pngscreenshot-1486491862-3.png2021-04-20T18:11:11+00:00monthlyhttps://articles.themuseumscholar.org/2017/03/01/vol1no1mager/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/079eb-byncnd-1488398188-15.pngbyncnd-1488398188-15.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a934f-rplogolor-1488398152-18.pngrplogolor-1488398152-18.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/916c8-tmscopy-1488398124-13.jpgtmscopy-1488398124-13.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/0229b-museumconte-1488926102-28.jpgMuseum of Contemporary Art Denver, Denver, Colorado. Museum of Contemporary Art Denver, Denver, Colorado. https://articles.themuseumscholar.org/wp-content/uploads/2021/04/6e392-vanabbemus-1488925962-50.jpgVan Abbe Museum, Eindhoven, Netherlands, photo: Peter Cox.Van Abbe Museum, Eindhoven, Netherlands, photo: Peter Cox.<br>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/8565d-kelvingrove-1488925754-12.jpgKelvingrove Art Gallery and Museum, Glasgow, Scotland. Kelvingrove Art Gallery and Museum, Glasgow, Scotland. https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e2b78-columbusmus-1488925374-29.jpgColumbus Museum of Art, Columbus, Ohio.Columbus Museum of Art, Columbus, Ohio.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/57759-oaklandmuse-1488926237-53.jpgOakland Museum of California, Oakland, California.Oakland Museum of California, Oakland, California.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/9dc59-image15dia-1488926515-93.jpgDetroit Institute of Arts, Detroit, Michigan.Detroit Institute of Arts, Detroit, Michigan.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e64c1-minnesotahi-1488924903-12.jpgMinnesota History Center, St. Paul, Minnesota.Minnesota History Center, St. Paul, Minnesota.2021-04-20T18:03:53+00:00monthlyhttps://articles.themuseumscholar.org/2017/03/08/vol1no1martin/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/13934-byncnd-1490625305-44.pngbyncnd-1490625305-44.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/10015-rplogolor-1490641952-7.pngrplogolor-1490641952-7.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/54ab4-tmscopy-1490625271-44.jpgtmscopy-1490625271-44.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1b5dc-20150407mus-1490645470-76-1.jpg20150407mus-1490645470-76.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8092f-20150407mus-1490645470-76.jpg20150407mus-1490645470-76.jpg2021-04-20T17:54:56+00:00monthlyhttps://articles.themuseumscholar.org/2017/12/08/vol1no1chipangura/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/3de3e-byncnd-1512822461-77.pngbyncnd-1512822461-77.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3f89b-rplogolor-1512822440-12.pngrplogolor-1512822440-12.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bd4a5-tmscopy-1512822390-70.jpgtmscopy-1512822390-70.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a3919-fig4lives-1513104674-32.jpgfig4lives-1513104674-32.jpgLive snake display in one of the galleries at Mutare Museum, photo by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/6f0d8-fig3artist-1513104650-87.jpgfig3artist-1513104650-87.jpgAn artistic impression of the proposed interactive nature of the Beit Gallery, graphic designs by Munyaradzi Mashamaire, 6/15/14.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/5be85-picture1-1512822714-35.jpgpicture1-1512822714-35.jpgEthnographic objects displayed on the floor in the Beit Gallery, photo by author, 5/25/15.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e092e-fig1archi-1513104590-42.jpgfig1archi-1513104590-42.jpgThe Mutare Museum, photo by author, 5/25/15.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/15dce-fig2ethnog-1512822569-66-1.jpgfig2ethnog-1512822569-66.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3ad24-fig2ethnog-1512822569-66.jpgfig2ethnog-1512822569-66.jpg2021-04-20T17:51:29+00:00monthlyhttps://articles.themuseumscholar.org/2018/02/24/vol2no1toronchuk/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0dd56-byncnd-1520435633-79.pngbyncnd-1520435633-79.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/f8dfa-rplogolor-1526759068-33.pngrplogolor-1526759068-33.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7e5df-tmscopy-1520435602-40.jpgtmscopy-1520435602-40.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/f270d-figure4-1520438040-45.jpgfigure4-1520438040-45.jpgFigure 4: A label of “Accidental Invaders” in Kelvingrove Museum and Art Gallery in Glasgow. Photo by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/23dfc-deadmansfi-1520438159-38.jpgdeadmansfi-1520438159-38.jpgFigure 3: The image of “Dead man’s fingers” coral in Kelvingrove Museum and Art Gallery in Glasgow. Photo by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/f9c4e-riversideex-1520437787-91.jpgriversideex-1520437787-91.jpgFigure 2: A police car exhibit, at the Riverside Museum of Transport and Travel in Glasgow. Photo by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/4a0ec-scottishwil-1520552274-15.jpgscottishwil-1520552274-15.jpgFigure 1: The center of the <i>Scottish Wildlife</i> exhibit, at the Kelvingrove Museum and Art Gallery in Glasgow. Photo by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e428b-201508071-1520438507-29-1.jpg201508071-1520438507-29.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3cc54-201508071-1520438507-29.jpg201508071-1520438507-29.jpg2021-04-20T17:47:03+00:00monthlyhttps://articles.themuseumscholar.org/2018/05/19/vol2no1dawson/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/4bab7-byncnd-1526758823-62.pngbyncnd-1526758823-62.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c3d62-rplogolor-1526758747-11.pngrplogolor-1526758747-11.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2fa53-tmscopy-1526758791-9.jpgtmscopy-1526758791-9.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/f0890-coopergarden-1526907977-99.jpgcoopergarden-1526907977-99.jpgThe Cooper Hewitt, Smithsonian Design Museum, New York, has a female director. Courtesy of Cooper Hewitt. https://articles.themuseumscholar.org/wp-content/uploads/2021/04/6a43b-nationalmus-1526944893-13.jpgnationalmus-1526944893-13.jpgThe National Museum of American Jewish History, Philadelphia, has a female director. Courtesy of Visit Philadelphia, photo: G. Widman.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/14a34-exteriordusk-1526907020-75.jpgexteriordusk-1526907020-75.jpgThe Mississippi Museum of Art, Jackson, has a female director. Courtesy of Mississippi Museums Association.  https://articles.themuseumscholar.org/wp-content/uploads/2021/04/78471-hammermuseu-1526906545-60.jpghammermuseu-1526906545-60.jpgThe Hammer Museum, Los Angeles, has a female director. Courtesy of the Hammer Museum, photo: Elon Schoenholz.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/fba37-brooklynmus-1526758469-21-1.jpgbrooklynmus-1526758469-21.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/47006-brooklynmus-1526758469-21.jpgbrooklynmus-1526758469-21.jpg2021-04-20T17:05:58+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/04/tp_vol1musco/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/9fcfd-byncnd-1528212949-99.pngbyncnd-1528212949-99.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/6e6d4-rplogolor-1528212933-1.pngrplogolor-1528212933-1.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bd8c5-tms-1528735804-97.pngtms-1528735804-97.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/42022-nempn-1528735764-51.pngnempn-1528735764-51.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/31a03-picture6-1528808983-22.pngFigure 6: Los Angeles’s Richest (90077) and Poorest (90089) zip codes.<p>Figure 6: Los Angeles’s Richest (90077) and Poorest (90089) zip codes.<i></i></p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/28a65-picture5-1528808973-68.pngFigure 5: A comparison between Los Angeles’s richest and poorest zip codes and their respective informal education institutions.<p>Figure 5: A comparison between Los Angeles’s richest and poorest zip codes and their respective informal education institutions.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/c700e-picture4-1528808954-73.pngFigure 4: Chicago’s Richest (60601) and Poorest (60621) zip codes.Figure 4: <span style="font-size:1em;">Chicago’s Richest (60601) and Poorest (60621) zip codes.</span>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/3e0d1-picture3-1528808938-0.pngFigure 3: A comparison between Chicago’s richest and poorest zip codes and their respective informal education institutions.<p>Figure 3: A comparison between Chicago’s richest and poorest zip codes and their respective informal education institutions.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/d960a-picture2-1528808916-68.pngFigure 2: Philadelphia’s Richest (19106) and Poorest (19133) zip codes.<p>Figure 2: Philadelphia’s Richest (19106) and Poorest (19133) zip codes.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/a23d1-picture1-1528808900-48.pngFigure 1: A comparison between Philadelphia’s richest and poorest zip codes and their respective informal education institutions.<p>Figure 1: A comparison between Philadelphia’s richest and poorest zip codes and their respective informal education institutions.</p>2021-04-20T16:58:24+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/05/tp_vol1sheehan/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/69462-byncnd-1528212793-60.pngbyncnd-1528212793-60.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/73db2-rplogolor-1528212776-81.pngrplogolor-1528212776-81.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2448a-tms-1528735588-12.pngtms-1528735588-12.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8a08c-nempn-1528735629-43.pngnempn-1528735629-43.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a431a-picture43-1528212560-1.pngFigure 4: Mario Botta’s floor plans for SFMOMA, third floor. From SFMOMA.org.<p>Figure 4: Mario Botta’s floor plans for SFMOMA, third floor. From SFMOMA.org.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/81022-picture42-1528212550-55.pngFigure 4: Mario Botta’s floor plans for SFMOMA, second floor. From SFMOMA.org.<p>Figure 4: Mario Botta’s floor plans for SFMOMA, second floor. From SFMOMA.org.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/fabf6-picture41-1528212541-96.pngFigure 4: Mario Botta’s floor plans for SFMOMA, first floor. SFMOMA.org.<p>Figure 4: Mario Botta’s floor plans for SFMOMA, first floor. SFMOMA.org.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0a6e6-picture3-1528212507-82.pngpicture3-1528212507-82.pngFigure 3: LACMA’s original plan. Google Images.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/ec922-picture2-1528212480-100.pngpicture2-1528212480-100.pngFigure 2: Floor plan for the Boston Museum of Fine Arts. New American Art Museums.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/9874e-picture1-1528212455-32.pngpicture1-1528212455-32.pngFigure 1: An example of a Greek temple. Here, pillars lead visitors through the temple to its main shrine. Google Images.2021-04-20T15:36:27+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/06/vol2no1ratsep/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/03eec-byncnd-1528312549-61.pngbyncnd-1528312549-61.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/6293f-rplogolor-1528312535-33.pngrplogolor-1528312535-33.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/dc3c3-tmscopy-1528312520-13.jpgtmscopy-1528312520-13.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/11d47-img5589-1528312373-100.jpgimg5589-1528312373-100.jpgFigure 5: Ibrox pupil showing her imaginary ship design “The Warda Ship.”https://articles.themuseumscholar.org/wp-content/uploads/2021/04/85c4c-picture1-1528312227-88.pngpicture1-1528312227-88.pngFigure 4: Visitors looking at a digital screen in the <i>Managing Director’s Office</i>.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/66f97-gwfairfield-1528312114-38.jpggwfairfield-1528312114-38.jpgFigure 3: Visitors exploring <i>The Story of the Clyde </i>exhibition room at Fairfield.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/62125-img5595-1528312056-71.jpgimg5595-1528312056-71.jpgFigure 2: Ibrox pupil exploring a copy of a Model-3 Cylinder Compound Marine Engine designed by John Elder and Co. in 1875.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/5426b-4147011m-1528311986-72.jpg4147011m-1528311986-72.jpgFigure 1: Fairfield Heritage Centre main building in Govan, Glasgow.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/45158-4147008m-1528310592-43-1.jpg4147008m-1528310592-43.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c50b7-4147008m-1528310592-43.jpg4147008m-1528310592-43.jpg2021-04-20T15:30:30+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/11/tp_vol1bellomatchette/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/a845b-byncnd-1528735522-7.pngbyncnd-1528735522-7.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/db655-rplogolor-1528735494-85.pngrplogolor-1528735494-85.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/9aed1-tms-1528735418-94.pngtms-1528735418-94.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a8e56-nempn-1528735318-22.pngnempn-1528735318-22.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/757e2-emergingthe-1528728775-21-1.jpgemergingthe-1528728775-21.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bd287-emergingthe-1528728775-21.jpgemergingthe-1528728775-21.jpg2021-04-20T15:23:14+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/11/tp_vol1bouton/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/57c0e-byncnd-1528804323-11.pngbyncnd-1528804323-11.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c0f45-rplogolor-1528804305-63.pngrplogolor-1528804305-63.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ed6c7-tms-1528804289-51.pngtms-1528804289-51.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/f4fb4-nempn-1528804263-42.pngnempn-1528804263-42.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d889-bfigure3-1528804094-72.jpgbfigure3-1528804094-72.jpgFigure 3: Mummified Egyptian crania #0841 of the Morton Cranial Collection, Penn Museum Open Research Scan Archive (ORSA).https://articles.themuseumscholar.org/wp-content/uploads/2021/04/11857-bfigure2-1528803870-43.jpgbfigure2-1528803870-43.jpgFigure 2: Forensic facial approximation of crania #0841 of the Morton Cranial Collection, Penn Museum. Approximation and photograph by Elizabeth Bouton, 2018.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/85234-editbfigure-1528804010-98.jpgeditbfigure-1528804010-98.jpgFigure 1: Partial forensic facial approximation of a mummified skull showing tissue depth. 3D print created from CT scans from the Morton Cranial Collection, University of Pennsylvania Museum of Archaeology and Anthropology (Penn Museum). Approximation and photograph by Elizabeth Bouton, 2017.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/9a180-emergingthe-1528765212-23-1.jpgemergingthe-1528765212-23.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/24233-emergingthe-1528765212-23.jpgemergingthe-1528765212-23.jpg2021-04-20T15:17:53+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/13/tp_vol1kennedy/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/a7dc6-byncnd-1528931489-76.pngbyncnd-1528931489-76.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/72091-rplogolor-1528931475-26.pngrplogolor-1528931475-26.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1b9cc-tms-1528931461-19.pngtms-1528931461-19.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/69431-nempn-1528931439-64.pngnempn-1528931439-64.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/f7dc2-kennedyfig7-1528929905-77.jpgkennedyfig7-1528929905-77.jpgFigure 7: Museums perceived role; figure by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/eb473-kennedyfig6-1528929876-76.jpgkennedyfig6-1528929876-76.jpgFigure 6: Teachers perceived role of museums; figure by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/d0e91-kennedyfig5-1528929768-62.pngkennedyfig5-1528929768-62.pngFigure 5: Museums response to frequency of contact (right) compared to contact initiated by teachers (left); figure by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b7a7b-kennedyfig4-1528929717-3.jpgkennedyfig4-1528929717-3.jpgFigure 4: Teachers rank where museums fall as a preferred outside resource; figure by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/4f78d-kennedyfig3-1528928297-58.jpgkennedyfig3-1528928297-58.jpgFigure 3: Resources provided by surveyed museums; figure by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b3e06-kennedyfig2-1528928265-56.pngkennedyfig2-1528928265-56.pngFigure 2: Number and type of institutions and organizations contacted; figure by author.2021-04-20T15:10:16+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/13/tp_vol1lieberthal/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/52d7b-byncnd-1528977349-28.pngbyncnd-1528977349-28.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/04860-rplogolor-1528977336-29.pngrplogolor-1528977336-29.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/395ea-tms-1528977321-32.pngtms-1528977321-32.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/e1f92-nempn-1528977295-46.pngnempn-1528977295-46.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/08915-liebfigure6-1528943553-26.jpgliebfigure6-1528943553-26.jpgFigure 6: Wish List created by group interview participants, John F. Kennedy University, March 20, 2017. https://articles.themuseumscholar.org/wp-content/uploads/2021/04/247fc-liebfigure5-1528943492-60.jpgliebfigure5-1528943492-60.jpgFigure 5: Entrance to exhibition, <i>Exclusion: The Presidio’s Role in World War II Japanese American </i><i>Incarceration</i>, Heritage Gallery at the Presidio Trust. Courtesy of presidio.gov.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/707cf-liebfigure4-1528943416-95.jpgliebfigure4-1528943416-95.jpgFigure 4: Ten Point Program of the Black Panther Party displayed in <i>All Power to the People: </i><i>Black Panthers at 50</i>, Oakland Museum of California, November 12, 2016.<i>       </i>        https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e3ca0-liebfigure3-1528943327-26.jpgliebfigure3-1528943327-26.jpgFigure 3: Exterior of the Lower East Side Tenement Museum,  March 10, 2017.        https://articles.themuseumscholar.org/wp-content/uploads/2021/04/c8fa9-liebfigure2-1528943252-41.jpgliebfigure2-1528943252-41.jpgFigure 2: Shoes of Holocaust victims on display at United States Holocaust Memorial Museum, March 8, 2017.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/bc1ad-screenshot-1528943140-85.pngscreenshot-1528943140-85.pngFigure 1: Emotional Intelligence Framework (Herriford, 2016).2021-04-20T15:02:53+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/14/tp_vol1tewell/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/5b210-byncnd-1528985127-56.pngbyncnd-1528985127-56.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2fb89-rplogolor-1528985114-92.pngrplogolor-1528985114-92.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8665c-tms-1528985098-54.pngtms-1528985098-54.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/20eb9-nempn-1528985077-71.pngnempn-1528985077-71.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a27a4-emergingthe-1528984137-100-1.jpgemergingthe-1528984137-100.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c9672-emergingthe-1528984137-100.jpgemergingthe-1528984137-100.jpg2021-04-20T14:58:23+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/14/tp_vol1queen/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b3472-byncnd-1529003812-34.pngbyncnd-1529003812-34.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/17ce1-rplogolor-1529003799-84.pngrplogolor-1529003799-84.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5c654-tms-1529003786-77.pngtms-1529003786-77.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/97a06-nempn-1529003766-18.pngnempn-1529003766-18.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7cc11-emergingthe-1529001710-3-1.jpgemergingthe-1529001710-3.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/748b2-emergingthe-1529001710-3.jpgemergingthe-1529001710-3.jpg2021-04-20T14:53:00+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/14/tp_vol1migdal/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/d1f48-byncnd-1529010227-100.pngbyncnd-1529010227-100.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d6912-rplogolor-1529010213-27.pngrplogolor-1529010213-27.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/860fb-tms-1529010199-23.pngtms-1529010199-23.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/26c86-nempn-1529010177-65.pngnempn-1529010177-65.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/66ad3-emergingthe-1529009281-44-1.jpgemergingthe-1529009281-44.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bec71-emergingthe-1529009281-44.jpgemergingthe-1529009281-44.jpg2021-04-20T14:48:53+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/15/tp_vol1dickieson/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/bcbb0-byncnd-1529081204-56.pngbyncnd-1529081204-56.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/87b94-rplogolor-1529081193-46.pngrplogolor-1529081193-46.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/facea-tms-1529081176-22.pngtms-1529081176-22.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/fcb3b-nempn-1529081159-2.pngnempn-1529081159-2.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7f79f-emergingthe-1529079377-25-1.jpgemergingthe-1529079377-25.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ae54f-emergingthe-1529079377-25.jpgemergingthe-1529079377-25.jpg2021-04-20T14:44:11+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/15/tp_vol1degreef/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/99181-byncnd-1529087336-87.pngbyncnd-1529087336-87.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/9e06a-rplogolor-1529087323-5.pngrplogolor-1529087323-5.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bc8d7-tms-1529087311-77.pngtms-1529087311-77.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3d9ba-nempn-1529087292-70.pngnempn-1529087292-70.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/240bf-emergingthe-1529086803-43-1.jpgemergingthe-1529086803-43.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/373b1-emergingthe-1529086803-43.jpgemergingthe-1529086803-43.jpg2021-04-20T14:36:34+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/16/tp_vol1sommer/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/78a98-byncnd-1529158759-49.pngbyncnd-1529158759-49.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/44c1e-rplogolor-1529158748-49.pngrplogolor-1529158748-49.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/f79f0-tms-1529158735-89.pngtms-1529158735-89.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2f5f9-nempn-1529158716-3.pngnempn-1529158716-3.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/6740e-sommernempq-1529158231-57.jpgsommernempq-1529158231-57.jpgFigure 6: What type of benefits would you look for in a museum membership?https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1370c-sommernempq-1529158185-74.jpgsommernempq-1529158185-74.jpgFigure 5: How would you prefer to learn about events and programs at a museum?https://articles.themuseumscholar.org/wp-content/uploads/2021/04/fa22f-sommernempq-1529158006-95.jpgsommernempq-1529158006-95.jpgFigure 4: What social media platform do you prefer to use in your life?https://articles.themuseumscholar.org/wp-content/uploads/2021/04/08225-sommernempq-1529157869-61.jpgsommernempq-1529157869-61.jpgFigure 3: Do you prefer museum events that are focused on education or entertainment? https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e7214-sommernempq-1529157763-24.jpgsommernempq-1529157763-24.jpgFigure 2: What typically motivates your decision to visit a museum? (Select all that apply.)https://articles.themuseumscholar.org/wp-content/uploads/2021/04/f5758-sommernempq-1529157681-98.jpgsommernempq-1529157681-98.jpgFigure 1: What are the factors that prevent you from visiting a museum? (Select all that apply).2021-04-19T01:35:13+00:00monthlyhttps://articles.themuseumscholar.org/2018/06/16/tp_vol1wachtel/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/050f9-byncnd-1529171320-44.pngbyncnd-1529171320-44.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3132a-rplogolor-1529171309-94.pngrplogolor-1529171309-94.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/be575-tms-1529171297-59.pngtms-1529171297-59.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/eea2c-nempn-1529171282-16.pngnempn-1529171282-16.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d9c6e-wachtelarch-1529170801-13.jpgFigures 3 and 4: Protest buttons from the Delano grape strike, AFL-CIO artifacts collection, Special Collections and University Archives, University of Maryland. Photographs by author.<p>Figures 3 and 4: Protest buttons from the Delano grape strike, AFL-CIO artifacts collection, Special Collections and University Archives, University of Maryland. Photographs by author.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7717a-wachtelarch-1529170792-13.jpgFigures 3 and 4: Protest buttons from the Delano grape strike, AFL-CIO artifacts collection, Special Collections and University Archives, University of Maryland. Photographs by author.<p>Figures 3 and 4: Protest buttons from the Delano grape strike, AFL-CIO artifacts collection, Special Collections and University Archives, University of Maryland. Photographs by author.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/bc64c-wachtelarch-1529170679-19.jpgwachtelarch-1529170679-19.jpgFigure 2: United Farmworkers Banner, 1987. AFL-CIO artifacts collection, Special Collections and University Archives, University of Maryland. Photograph by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b739d-wachtelarch-1529170052-85.jpgwachtelarch-1529170052-85.jpgFigure 1: Congress of Industrial Organizations (CIO) poster.AFL-CIO artifacts collection, Special Collections and UniversityArchives, University of Maryland. Photograph by author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/db5fc-emergingthe-1529169669-61-1.jpgemergingthe-1529169669-61.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/083c8-emergingthe-1529169669-61.jpgemergingthe-1529169669-61.jpg2021-04-19T01:17:27+00:00monthlyhttps://articles.themuseumscholar.org/2018/10/01/vol2no1du/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7b4f4-byncnd-1538426497-76.pngbyncnd-1538426497-76.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3ad63-rplogolor-1538426483-72.pngrplogolor-1538426483-72.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d015c-tms-1538426560-84.pngtms-1538426560-84.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/97f54-dufigure07-1538425574-66.jpgFigure 9: Student drawing and writing response to the essential question.<p>Figure 9: Student drawing and writing response to the essential question.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7b0fd-dufigure05-1538425564-61.jpgFigure 8: Student drawing and writing response to the essential question.<p>Figure 8: Student drawing and writing response to the essential question.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/149f0-dufigure04-1538425554-90.jpgFigure 7: Student drawing and writing response to the essential question.<p>Figure 7: Student drawing and writing response to the essential question.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/ff0da-dufigure08-1538425470-20.jpgFigure 6: Student drawing and writing response to the essential question.<p>Figure 6: Student drawing and writing response to the essential question.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0e0d2-dufigure03-1538410866-95.jpgFigure 5: Student drawing and writing response to the essential question.<p>Figure 5: Student drawing and writing response to the essential question.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7f24d-dufigure06-1538410841-59.jpgFigure 4: Student drawing and writing response to the essential question.<p>Figure 4: Student drawing and writing response to the essential question.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7b2a7-dufigure10-1538410707-71.jpgdufigure10-1538410707-71.jpgFigure 3: Visualization of data from student writing responses.2021-04-19T01:02:54+00:00monthlyhttps://articles.themuseumscholar.org/2018/10/17/vol2no1cardenas/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0594a-byncnd-1539798940-24.pngbyncnd-1539798940-24.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bf4e7-rplogolor-1539798929-58.pngrplogolor-1539798929-58.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/255d0-tms-1539798952-85.pngtms-1539798952-85.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/656e7-cardenasfig-1539798384-31.jpgcardenasfig-1539798384-31.jpgFigure 3: New designs. Mexico, April 2018. Photo by Seminario Universitario de Museos y Espacios Museográficos.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/f78ed-cardenasfig-1539798122-21.jpgcardenasfig-1539798122-21.jpgFigure 2: Workshop participants: artists or scientists? Mexico, April 2018. Photo by Seminario Universitario de Museos y Espacios Museográficos.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e3899-cardenastab-1539798057-76.jpgcardenastab-1539798057-76.jpgTable 1: This workshop was designed based on the postulates of critical museology, without distinguishing a museum’s pre-established topics.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/5ecf2-cardenasfig-1539797802-50.jpgcardenasfig-1539797802-50.jpgFigure 1: Workshop participants discuss different meanings for the same art piece. Mexico, April 2018. Photo by Seminario Universitario de Museos y Espacios Museográficos.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b1804-cardenasfig-1539799232-55-1.jpgcardenasfig-1539799232-55.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7c586-cardenasfig-1539799232-55.jpgcardenasfig-1539799232-55.jpg2021-04-19T00:55:43+00:00monthlyhttps://articles.themuseumscholar.org/2019/01/16/vol3no1ceglie/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7c0ce-byncnd-1551977100-64.pngbyncnd-1551977100-64.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2b602-rplogolor-1551977087-60.pngrplogolor-1551977087-60.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/126f0-tms-1551977071-30.pngtms-1551977071-30.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/60b1d-fig8sket-1551981403-11.jpgFigure 8: Sketch of a costume realized for the Citizen Theatre. Held at the Scottish Theatre Archive.<p>Figure 8: Sketch of a costume realized for the Citizen Theatre. Held at the Scottish Theatre Archive.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/81d5e-fig5stan-1551981396-6.jpgFigure 7: Stanley Baxter’s costume. Held at King’s Theatre.<p>Figure 7: Stanley Baxter’s costume. Held at King’s Theatre.</p><p><br></p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/c6126-fig4pict-1551981387-99.jpgFigure 6: Picture portraying the actor Stanley Baxter.<p>Figure 6: Picture portraying the actor Stanley Baxter.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7a1db-fig9harr-1551977684-20.jpgfig9harr-1551977684-20.jpgFigure 5: Harry Lauder’s set make-up. Held at the Scottish Theatre Archive.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/313b4-fig3deta-1551977657-94.jpgfig3deta-1551977657-94.jpgFigure 4: Detail of the Object List document.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/2ead0-3fig7pro-1551977780-55.jpg3fig7pro-1551977780-55.jpgFigure 3: Prop held at the Pavilion Theatre Store.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/67be6-fig1morp-1551977284-91.jpgfig1morp-1551977284-91.jpgFigure 2: MoRPHE Project Stages. Source: Glasgow Museums.2021-04-19T00:47:34+00:00monthlyhttps://articles.themuseumscholar.org/2019/01/16/vol3no1kulapalmer/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/3374b-byncnd-1547675150-83.pngbyncnd-1547675150-83.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/cef32-rplogolor-1547675138-26.pngrplogolor-1547675138-26.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/37f9d-tms-1547675126-47.pngtms-1547675126-47.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/40b5b-picture1-1547674294-76.jpgpicture1-1547674294-76.jpgFigure 4: <i>Sentinel</i>, 1973, disc-sanded stainless steel, 71 3/8 x 70 1/2 x 28 5/8 in. (181.3 x 179.1 x 72.7 cm). © The Isamu Noguchi Foundation and Garden Museum, NY.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7d001-picture3-1547674245-0.jpgpicture3-1547674245-0.jpgFigure 3: <i>The View</i>, c. 1951, plastic, metal. © The Isamu Noguchi Foundation and Garden Museum, NY.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/faed0-picture2-1547674197-60.jpgpicture2-1547674197-60.jpgFigure 2: <i>Chair for Martha Graham’s ‘Hérodiade,’</i>1944, plywood, paint. ©The Isamu Noguchi Foundation and Garden Museum, NY/ARS. Photo by Kevin Noble.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/85fec-picture4-1547674765-40.jpgpicture4-1547674765-40.jpgFigure 1: <i>Magic Ring</i>, 1970, Persian travertine. ©The Isamu Noguchi Foundation and Garden Museum.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/48c44-noguchi-1547753897-74-1.jpgnoguchi-1547753897-74.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/668f7-noguchi-1547753897-74.jpgnoguchi-1547753897-74.jpg2021-04-19T00:41:43+00:00monthlyhttps://articles.themuseumscholar.org/2019/03/29/vol3no1overstreet/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b9613-byncnd-1553872320-81.pngbyncnd-1553872320-81.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2e5fc-rplogolor-1553872307-58.pngrplogolor-1553872307-58.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/35fd1-tms-1553872293-82.pngtms-1553872293-82.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/b5892-overstreetf-1553870685-15.jpgoverstreetf-1553870685-15.jpgFigure 2: William Conner House at Conner Prairie, one of the sites highlighting diversity in America’s religious past. Conner Prairie.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/119b3-overstreetf-1553872135-26.pngoverstreetf-1553872135-26.pngFigure 1: Interpreting Religion at Museums and Historic Sites. Rowman & Littlefield Publishers.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/c2245-sabineschul-1553869888-19-1.jpgsabineschul-1553869888-19.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a9d3a-sabineschul-1553869888-19.jpgsabineschul-1553869888-19.jpg2021-04-19T00:29:50+00:00monthlyhttps://articles.themuseumscholar.org/2019/04/22/vol3no1althani/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7a9a2-byncnd-1555941041-71.pngbyncnd-1555941041-71.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/4194c-rplogolor-1555941028-52.pngrplogolor-1555941028-52.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1cb92-tms-1555941016-2.pngtms-1555941016-2.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/17a86-navy4122167-1555938565-88-1.jpgnavy4122167-1555938565-88.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/05b23-navy4122167-1555938565-88.jpgnavy4122167-1555938565-88.jpg2021-04-18T01:51:47+00:00monthlyhttps://articles.themuseumscholar.org/2019/05/01/tp_vol2arose/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/88467-byncnd-1556812187-16.pngbyncnd-1556812187-16.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/27966-rplogolor-1556812175-91.pngrplogolor-1556812175-91.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/76b46-nempn-1556812139-32.pngnempn-1556812139-32.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3a6fa-tmssmall-1561486142-51.pngtmssmall-1561486142-51.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/18a15-arosefigure-1561486078-93.pngarosefigure-1561486078-93.pngFigure 5. Women scientists at the museum, NCNMS, 2019. Photo by the author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b3710-arosefigure-1556741083-28.pngFigure 4. “The Museum’s Own” wall at NCNMS, 2019. Photo by the author. <p>Figure 4. “The Museum’s Own” wall at NCNMS, 2019. Photo by the author. </p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/763ec-arosefigure-1556740771-55.pngarosefigure-1556740771-55.pngFigure 3. “Rachel Carson” poster, NCNMS, 2019. Photo by the author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/d1ed0-arosefigure-1556740481-49.pngarosefigure-1556740481-49.pngFigure 2. Exhibition space at NCNMS, 2019. Photo by the author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/78774-arosefigure-1556740311-21.pngarosefigure-1556740311-21.pngFigure 1. <i>Beyond Curie</i> exhibition at the North Carolina Museum of Natural Sciences(NCNMS), 2019. Photo by the author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/2780d-antoniomoli-1556730003-85-1.jpgantoniomoli-1556730003-85.jpg2021-04-18T01:45:54+00:00monthlyhttps://articles.themuseumscholar.org/2019/05/01/tp_vol2fergusonrenner/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7b5da-byncnd-1557329820-38.pngbyncnd-1557329820-38.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/b9b34-rplogolor-1557329807-88.pngrplogolor-1557329807-88.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/23c7d-nempn-1557329683-8.pngnempn-1557329683-8.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d2e1a-tmssmall-1562169648-57.pngtmssmall-1562169648-57.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5f5a9-fergusonfig-1557329337-34.jpgfergusonfig-1557329337-34.jpgFigure 6. Julien de Casabianca pastes the final character, Memphis artist Kate Carl’s <i>Portrait </i><i>of Bessie Vance</i>, ca. 1890, onto the façade of the Brooks Museum. Photo courtesy Kathy Dumlao.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/4816f-fergusonfig-1557329194-14.jpgFigure 5. The character from Leon Bonhomm’s painting, La Femme en vert (The Woman in Green), 1909, pasted into the Medical District neighborhood of Memphis. Photo courtesy Kathy Dumlao.<p>Figure 5. The character from Leon Bonhomm’s painting, <i>La Femme en vert (The Woman in Green)</i>, 1909, pasted into the Medical District neighborhood of Memphis. Photo courtesy Kathy Dumlao.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/a345a-fergusonfig-1557329183-61.jpgFigure 4. Julien de Casabianca and a community collaborator consider Leon Bonhomm’s painting, La Femme en vert (The Woman in Green), 1909, for inclusion in Outings Project. Photo courtesy Kathy Dumlao.<p>Figure 4. Julien de Casabianca and a community collaborator consider Leon Bonhomm’s painting, <i style="font-size:1em;">La Femme en vert (The Woman in Green)</i>, 1909, for inclusion in <i style="font-size:1em;">Outings Project</i>. Photo courtesy Kathy Dumlao.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/ecbb3-fergusonfig-1557329071-73.jpgfergusonfig-1557329071-73.jpgFigure 3. Julien de Casabianca and members of Memphis communities tour the museum together to select the characters which would be pasted into their neighborhoods. Photo courtesy Kathy Dumlao.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b58e3-fergusonfig-1557327688-16.jpg Figure 2. One of three “monumental” characters in Outings Project in Memphis. Four girls from Carroll Cloar’s painting, Wedding Party, 1971 were pasted into the South Main neighborhood of Memphis. Photo courtesy Kathy Dumlao.<p> Figure 2. One of three “monumental” characters in <i style="font-size:1em;">Outings Project </i>in Memphis. Four girls from Carroll Cloar’s painting, <i style="font-size:1em;">Wedding </i><i style="font-size:1em;">Party</i>, 1971 were pasted into the South Main neighborhood of Memphis. Photo courtesy Kathy Dumlao.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/93387-fergusonfig-1557327667-83.jpgFigure 1. A character from Arkansas artist Carroll Cloar’s painting, Where the Southern Cross the Yellow Dog, 1965, pasted into the Orange Mound neighborhood of Memphis. Photo courtesy Kathy Dumlao.<p>Figure 1. A character from Arkansas artist Carroll Cloar’s painting, <i>Where the Southern </i><i style="font-size:1em;">Cross the Yellow Dog</i>, 1965, pasted into the Orange Mound neighborhood of Memphis. Photo courtesy Kathy Dumlao.</p>2021-04-18T01:40:37+00:00monthlyhttps://articles.themuseumscholar.org/2019/05/01/tp_vol2procopio/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/4f5a1-byncnd-1556811578-58.pngbyncnd-1556811578-58.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7c34e-rplogolor-1556811564-89.pngrplogolor-1556811564-89.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/b19ba-nempn-1556811475-98.pngnempn-1556811475-98.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1314e-tmssmall-1561484201-26.pngtmssmall-1561484201-26.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/59eb0-image3-1561484264-16.jpgimage3-1561484264-16.jpgFigure 2. Malvina Hoffman’s sculpture, “Kashmiri Man.” Image courtesy of David Kasnic,<i>The New York Times</i>.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/3b507-image1-1557249314-89.jpgFigure 1. Malvina Hoffman’s sculpture “Chinese Jinriksha Coolie.” Image courtesy of the Didi Hoffman Blog, last modified September 27, 2018. <p>Figure 1. Malvina Hoffman’s sculpture “Chinese Jinriksha Coolie.” Image courtesy of the Didi Hoffman Blog, last modified September 27, 2018. </p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/329d8-antoniomoli-1556807885-0-1.jpgantoniomoli-1556807885-0.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/021b5-antoniomoli-1556807885-0.jpgantoniomoli-1556807885-0.jpg2021-04-18T01:34:13+00:00monthlyhttps://articles.themuseumscholar.org/2019/05/14/editorial_libby/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7700f-tmrcopysmal-1558029359-98.pngtmrcopysmal-1558029359-98.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/30a61-garylibbys-1557850816-44.jpggarylibbys-1557850816-44.jpgGary Libby stands next to “Landscape South of Englewood, Florida,” by Lois Bartlett Tracy (1901-2008). From the <em>American Painting and the Florida School of Art – Selections from Private Collections</em><em> </em>exhibition at Stetson University in 2016. Photo courtesy of <i>Stetson University Today</i>.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/00e4e-artstorage-1557850385-93-1.jpgartstorage-1557850385-93.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/0a4c4-artstorage-1557850385-93.jpgartstorage-1557850385-93.jpg2021-04-18T01:29:08+00:00monthlyhttps://articles.themuseumscholar.org/2019/05/16/tp_vol2nortz/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/87087-byncnd-1562169406-28.pngbyncnd-1562169406-28.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/337e5-rplogolor-1562169389-7.pngrplogolor-1562169389-7.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/34525-nempn-1562169377-38.pngnempn-1562169377-38.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a7a85-tmssmall-1562169344-64.pngtmssmall-1562169344-64.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/16f82-fig2-1559674390-15.jpgfig2-1559674390-15.jpgFigure 2. The “Action Steps” large sheets used to capture data from the object safety session during the 2018 C3 Conference.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/8edd1-fig1-1559674218-18.jpgfig1-1559674218-18.jpgFigure 1. The “Ideas and Solutions” large sheets used to capture data from the object safety session during the 2018 C3 Conference.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1c1fc-antoniomoli-1559673457-0-1.jpgantoniomoli-1559673457-0.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d2dba-antoniomoli-1559673457-0.jpgantoniomoli-1559673457-0.jpg2021-04-18T01:24:24+00:00monthlyhttps://articles.themuseumscholar.org/2019/05/16/tp_vol2bain/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e5a6e-byncnd-1559650637-31.pngbyncnd-1559650637-31.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8d602-rplogolor-1559650624-9.pngrplogolor-1559650624-9.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d1da2-nempn-1559650595-75.pngnempn-1559650595-75.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/58c29-tmssmall-1559651176-10.pngtmssmall-1559651176-10.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ceb67-antoniomoli-1559650021-36-1.jpgantoniomoli-1559650021-36.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d37a8-antoniomoli-1559650021-36.jpgantoniomoli-1559650021-36.jpg2021-04-18T01:15:54+00:00monthlyhttps://articles.themuseumscholar.org/2019/06/25/tp_vol2simmons/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/21319-byncnd-1561470222-41.pngbyncnd-1561470222-41.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/e60d3-rplogolor-1561470208-43.pngrplogolor-1561470208-43.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c9345-nempn-1561470119-79.pngnempn-1561470119-79.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/0dff9-tmssmall-1561470155-92.pngtmssmall-1561470155-92.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c0157-fig72-1561471149-16.jpgfig72-1561471149-16.jpgFigure 7. <i>Power & Protest</i>, protest posters and other archival materials.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/31481-fig6-1561470548-90.jpgFigure 6. Power & Protest, San José State Speed City objects.<p>Figure 6. <i>Power & Protes</i>t, San José State Speed City objects.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/47598-fig5-1561470534-99.jpgFigure 5. Power & Protest, Photographs from a 2016 protest of a visit to San José by then-presidential candidate Donald Trump.<p>Figure 5. <i>Power & Protest</i>, Photographs from a 2016 protest of a visit to San José by then-presidential candidate Donald Trump.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e8547-fig4-1561470522-51.jpgFigure 4. Power & Protest, “Justice for Our Lives” poster.<p>Figure 4. <i>Power & Protest</i>, “Justice for Our Lives” poster.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/f4883-fig3-1561470398-4.jpgFigures 3 - 6. Images from Power & Protest. Figure 3. Shadow box, “Presence and Absence: Remembering Michael Brown.”<p>Figures 3 - 6. Images from <i style="font-size:1em;">Power & Protest. </i>Figure 3.<i style="font-size:1em;"> </i>Shadow box, “Presence and Absence: Remembering Michael Brown.”</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/36108-fig2-1561470337-8.jpgfig2-1561470337-8.jpgFigure 2. <i>Power & Protest</i>, community oral histories and poster of Tommie Smith’s and John Carlos’s silent protest during the 1968 Summer Olympics in Mexico City.2021-04-18T01:10:15+00:00monthlyhttps://articles.themuseumscholar.org/2019/06/25/tp_vol2mosley/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/ddc9c-byncnd-1561480137-4.pngbyncnd-1561480137-4.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5f58e-rplogolor-1561480125-46.pngrplogolor-1561480125-46.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/bffdb-nempn-1561480066-79.pngnempn-1561480066-79.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ad4b2-tmssmall-1561480088-56.pngtmssmall-1561480088-56.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5088b-mosleyfigur-1561480861-23.jpgmosleyfigur-1561480861-23.jpgFigure 7. A visitor experience specialist leads a group of visitors through a facilitated dialogue tour. Niagara Falls Underground Railroad Heritage Center, Arrival Gallery. Courtesy Niagara Falls Underground Railroad Heritage Center.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/cfa42-mosleyfigur-1561480808-42.jpgmosleyfigur-1561480808-42.jpgFigure 6. A media piece featuring five local Western New Yorkers anchors the gallery with contemporary stories that speak to universal messages of freedom. Niagara Falls Underground Railroad Heritage Center, Freedom Gallery. Photo: Copyright 2018 Kim Smith Photo and Seth Frankel/Studio Tectonic.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d4fb-mosleyfigur-1561480694-73.jpgmosleyfigur-1561480694-73.jpgFigure 5. Museum visitors explore the photo wall in the Freedom Gallery and connect to events related to freedom from the Civil War era to present. Courtesy of Niagara Falls Underground Railroad Heritage Center. Photo by Alanadetolarts Photography.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/ef714-mosleyfigur-1561480617-61.jpgmosleyfigur-1561480617-61.jpgFigure 4. Detail view of installed exhibit photo mosaic graphics. Adjacent photo snapshot graphic panels. Niagara Falls Underground Railroad Heritage Center, Freedom Gallery. Photo: Copyright 2018 Kim Smith Photo and SethFrankel/Studio Tectonic.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/bc8e4-mosleyfigur-1561480499-81.jpgmosleyfigur-1561480499-81.jpgFigure 3. Photo Mosaic wall showing events relating to freedom. Niagara Falls Underground Railroad Heritage Center, Freedom Gallery. Courtesy of James Neiss/Niagara Gazette.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/f3283-mosleyfigur-1561480447-48.jpgmosleyfigur-1561480447-48.jpgFigure 2. Gallery entrance showing life-size historical and contemporary figures. Niagara Falls Underground Railroad Heritage Center, Freedom Gallery. Courtesy of Seth Frankel, Studio Tectonic.2021-04-18T01:02:11+00:00monthlyhttps://articles.themuseumscholar.org/2019/06/26/tp_vol2keogh/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/cb781-byncnd-1561580418-5.pngbyncnd-1561580418-5.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/70085-rplogolor-1561580403-26.pngrplogolor-1561580403-26.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c577c-nempn-1561580352-39.pngnempn-1561580352-39.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7c580-tmssmall-1561580377-80.pngtmssmall-1561580377-80.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/30de3-keoghfigure-1561580232-45.pngkeoghfigure-1561580232-45.pngFigure 2. Visual representation of the pathway of empathetic understanding.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0f91b-keoghfigure-1561580134-40.pngkeoghfigure-1561580134-40.pngFigure 1. Outline of observation indicators and observed methods.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/fd546-antoniomoli-1561579504-19-1.jpgantoniomoli-1561579504-19.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/7a2a8-antoniomoli-1561579504-19.jpgantoniomoli-1561579504-19.jpg2021-04-18T00:53:39+00:00monthlyhttps://articles.themuseumscholar.org/2019/06/27/tp_vol2cavness/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/20b39-byncnd-1561649386-80.pngbyncnd-1561649386-80.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d8ba-rplogolor-1561649375-29.pngrplogolor-1561649375-29.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3e779-nempn-1561649336-38.pngnempn-1561649336-38.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/61193-tmssmall-1561649355-38.pngtmssmall-1561649355-38.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/58566-picture6-1561649248-15.pngpicture6-1561649248-15.pngFigure 6. Display including cotton gin, Museum of Alabama.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0cbd0-picture5-1561649172-12.pngpicture5-1561649172-12.pngFigure 5. Display including slave shackles, Museum of Alabama.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/f1f50-picture4-1561649142-95.pngpicture4-1561649142-95.pngFigure 4. Bow and arrow, Museum of Alabama.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b09dc-picture3-1561649081-7.pngpicture3-1561649081-7.pngFigure 3. Telephones, The Legacy Museum: From Enslavement to Mass Incarceration, photo credit: Equal Justice Initiative/Human Pictures.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/705fe-picture2-1561649051-9.pngpicture2-1561649051-9.pngFigure 2. Jars of soil, The Legacy Museum: From Enslavement to Mass Incarceration, photo credit: Equal Justice Initiative/Human Pictures.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d677-picture1-1561648957-90.pngpicture1-1561648957-90.pngFigure 1. Slave pen replica, The Legacy Museum: From Enslavement to Mass Incarceration, photo credit: Equal Justice Initiative/Human Pictures.2021-04-18T00:47:50+00:00monthlyhttps://articles.themuseumscholar.org/2019/07/01/tp_vol2proadonini/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/d84fb-byncnd-1561994354-91.pngbyncnd-1561994354-91.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/9a91e-rplogolor-1561994343-35.pngrplogolor-1561994343-35.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1de33-nempn-1561994297-77.pngnempn-1561994297-77.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/be086-tmssmall-1561994325-37.pngtmssmall-1561994325-37.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/486a2-antoniomoli-1561992153-5-1.jpgantoniomoli-1561992153-5.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5d6ce-antoniomoli-1561992153-5.jpgantoniomoli-1561992153-5.jpg2021-04-18T00:37:24+00:00monthlyhttps://articles.themuseumscholar.org/2019/07/01/tp_vol2bennett/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/97da9-byncnd-1561999046-88.pngbyncnd-1561999046-88.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/77e5f-rplogolor-1561999033-100.pngrplogolor-1561999033-100.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d22c-nempn-1561998988-71.pngnempn-1561998988-71.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/730fe-tmssmall-1561999015-80.pngtmssmall-1561999015-80.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2f25e-antoniomoli-1561997039-7-1.jpgantoniomoli-1561997039-7.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/72d51-antoniomoli-1561997039-7.jpgantoniomoli-1561997039-7.jpg2021-04-18T00:31:25+00:00monthlyhttps://articles.themuseumscholar.org/2019/07/03/tp_vol2coulomb/https://articles.themuseumscholar.org/wp-content/uploads/2019/07/tms-tp-min_cover-vol-2.jpgTMS-TP-min_cover vol 2https://articles.themuseumscholar.org/wp-content/uploads/2021/04/dca48-byncnd-1562169023-46.pngbyncnd-1562169023-46.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/93d01-rplogolor-1562169012-9.pngrplogolor-1562169012-9.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/97680-nempn-1562168957-67.pngnempn-1562168957-67.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/78249-tmssmall-1562168994-44.pngtmssmall-1562168994-44.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c9a2d-antoniomoli-1562170531-7-1.jpgantoniomoli-1562170531-7.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3e280-antoniomoli-1562170531-7.jpgantoniomoli-1562170531-7.jpg2021-04-18T00:24:49+00:00monthlyhttps://articles.themuseumscholar.org/2020/04/24/tp_vol3_hadsell/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/abf82-byncnd-1587739163-15.pngbyncnd-1587739163-15.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8e0da-rplogolor-1587739140-95.pngrplogolor-1587739140-95.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/b68e3-nempn-1587739116-34.pngnempn-1587739116-34.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8b83a-tmssmall-1587739085-26.pngtmssmall-1587739085-26.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d0b6b-img3471-1588337065-37.jpgimg3471-1588337065-37.jpgFigure 2: Andrea Hadsell (far center), Education Manager, leads a guided memory walk through the permanent exhibit galleries of the Monroe County History Center.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/25d48-img3493-1588337035-36.jpgimg3493-1588337035-36.jpgFigure 1: Hilary Fleck (left), Collection Manager, and Susan Dyar (right), Director, of the Monroe County History Center pose with the first memory box.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/12c11-origpeoplei-1591367582-10-1.jpgorigpeoplei-1591367582-10.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/aefbf-origpeoplei-1591367582-10.jpgorigpeoplei-1591367582-10.jpg2021-04-17T01:58:53+00:00monthlyhttps://articles.themuseumscholar.org/2020/05/01/tp_vol3_evans/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/cb599-byncnd-1588336522-15.pngbyncnd-1588336522-15.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/37f05-rplogolor-1588336495-96.pngrplogolor-1588336495-96.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/4a8dd-nempn-1588336476-60.pngnempn-1588336476-60.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/9a277-tmssmall-1588336454-24.pngtmssmall-1588336454-24.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c124f-origpeoplei-1591367272-50-1.jpgorigpeoplei-1591367272-50.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3debc-origpeoplei-1591367272-50.jpgorigpeoplei-1591367272-50.jpg2021-04-17T01:57:38+00:00monthlyhttps://articles.themuseumscholar.org/2020/05/22/tp_vol3_daley/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/31285-byncnd-1590156663-83.pngbyncnd-1590156663-83.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5a399-rplogolor-1590156642-55.pngrplogolor-1590156642-55.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/99306-nempn-1590156619-100.pngnempn-1590156619-100.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2f230-tmssmall-1590156588-34.pngtmssmall-1590156588-34.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/cf550-fc1fa09d238-1590155181-17.jpgfc1fa09d238-1590155181-17.jpgFigure 3: “Gamelatron Bidadari,” Aaron Taylor Kuffner in <i>No Spectators: The Art of Burning </i><i>Man</i> at the Oakland Museum of California, November 19, 2019. Photo credit Ginger Daley.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b8834-augmentedre-1590155055-34.jpgFigure 1 (slide left): Original photo of the non-interactive installation of a wooly mammoth at the Western Science Center in Hemet, California. Photo credit Ginger Daley. Figure 2 (above): A mock example of how an installation can be enhanced by using augmented reality and creating a metaverse.<p>Figure 1 (slide left): Original photo of the non-interactive installation of a wooly mammoth at the Western Science Center in Hemet, California. Photo credit Ginger Daley. Figure 2 (above): A mock example of how an installation can be enhanced by using augmented reality and creating a metaverse.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/ef442-bones-1590155042-97.jpgFigure 1 (above): Original photo of the non-interactive installation of a wooly mammoth at the Western Science Center in Hemet, California. Photo credit Ginger Daley. (Slide right) Figure 2: A mock example of how an installation can be enhanced by using augmented reality and creating a metaverse.<p>Figure 1 (above): Original photo of the non-interactive installation of a wooly mammoth at the Western Science Center in Hemet, California. Photo credit Ginger Daley. (Slide right) Figure 2: A mock example of how an installation can be enhanced by using augmented reality and creating a metaverse.</p>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/7a028-origpeoplei-1591367543-94-1.jpgorigpeoplei-1591367543-94.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ea840-origpeoplei-1591367543-94.jpgorigpeoplei-1591367543-94.jpg2021-04-17T01:55:21+00:00monthlyhttps://articles.themuseumscholar.org/2020/05/29/tp_vol3_horowitz/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/cc719-byncnd-1590757761-12.pngbyncnd-1590757761-12.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/38d46-rplogolor-1590757745-40.pngrplogolor-1590757745-40.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a4c78-nempn-1590757722-63.pngnempn-1590757722-63.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a2398-tmssmall-1590757691-73.pngtmssmall-1590757691-73.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/21783-hellyes-1590756733-31.jpghellyes-1590756733-31.jpgFigure 2: “Hell, Yes!” Local 2110 UAW union pins, courtesy of the author.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/55297-claralemlic-1590756582-89.jpgclaralemlic-1590756582-89.jpgFigure 1: Tenement Museum Union graphic, designed by @melevado.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/581df-origpeoplei-1591367507-72-1.jpgorigpeoplei-1591367507-72.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/88196-origpeoplei-1591367507-72.jpgorigpeoplei-1591367507-72.jpg2021-04-17T01:53:03+00:00monthlyhttps://articles.themuseumscholar.org/2020/06/05/tp_vol3_burnham/https://articles.themuseumscholar.org/wp-content/uploads/2020/06/tp_cover-min.jpgTP_cover-minhttps://articles.themuseumscholar.org/wp-content/uploads/2020/06/tp_insta.jpgTP_Instahttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ab67f-byncnd-1591365342-57.pngbyncnd-1591365342-57.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/ad063-rplogolor-1591365320-26.pngrplogolor-1591365320-26.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/5c42f-nempn-1591365301-95.pngnempn-1591365301-95.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/72cbf-tmssmall-1591365284-62.pngtmssmall-1591365284-62.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/e4ce4-origpeoplei-1591367342-35-1.jpgorigpeoplei-1591367342-35.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/db68d-origpeoplei-1591367342-35.jpgorigpeoplei-1591367342-35.jpg2021-04-17T01:51:18+00:00monthlyhttps://articles.themuseumscholar.org/2020/06/05/tp_vol3_brennan/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/a5084-byncnd-1591364135-83.pngbyncnd-1591364135-83.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/982ed-rplogolor-1591364121-65.pngrplogolor-1591364121-65.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3f36a-nempn-1591364104-18.pngnempn-1591364104-18.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/679d5-tmssmall-1591364079-19.pngtmssmall-1591364079-19.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8527f-origpeoplei-1591367411-60-1.jpgorigpeoplei-1591367411-60.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/1c7ec-origpeoplei-1591367411-60.jpgorigpeoplei-1591367411-60.jpg2021-04-17T01:49:49+00:00monthlyhttps://articles.themuseumscholar.org/2019/08/27/vol3no1kim/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/5dfa4-byncnd-1566925932-25.pngbyncnd-1566925932-25.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/17388-rplogolor-1566925913-73.pngrplogolor-1566925913-73.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/6ba19-tmssmall-1566925894-62.pngtmssmall-1566925894-62.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/72f71-kimfigure01-1567003699-15.pngkimfigure01-1567003699-15.pngFigure 4. Installation view of “Louise Lawler: WHY PICTURES NOW” at MoMA, April 30, 2017–July 30, 2017. Photo by Martin Seck.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/35bb7-kimfigure04-1567003616-88.pngkimfigure04-1567003616-88.pngFigure 3. <i>Art After Dark </i>at the Guggenheim, courtesy of the Guggenheim Museum. Photo by Scott Rudd.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1d555-image3-1567110196-26.jpgimage3-1567110196-26.jpgFigure 2. (Left) Interior of Guggenheim Museum, photo by author, (Right) Interior of Galeries Lafayette, photo by Wouter Hagens.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/18ebc-kimfigure01-1567003334-100.pngkimfigure01-1567003334-100.pngFigure 1. Cover of the English edition of <i>The Society of Spectacle </i>from 1983<i>. </i>Guy Debord, <i>The Society of Spectacle.</i>https://articles.themuseumscholar.org/wp-content/uploads/2021/04/562b6-leslieholde-1567003139-92-1.jpgleslieholde-1567003139-92.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/9ba19-leslieholde-1567003139-92.jpgleslieholde-1567003139-92.jpg2021-04-17T01:39:54+00:00monthlyhttps://articles.themuseumscholar.org/2019/09/19/vol3no1kim2/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/5b5fc-byncnd-1568906284-71.pngbyncnd-1568906284-71.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/df8c7-rplogolor-1568906268-31.pngrplogolor-1568906268-31.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/52c5b-tmssmall-1568906249-67.pngtmssmall-1568906249-67.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/229c1-kimfigure03-1568905671-59.pngkimfigure03-1568905671-59.pngFigure 4: Photograph of the process of installing <i>Splash Piece</i>, from Rattemeyer, “Op Losse Schroeven,” <i>Exhibiting New Art</i>, 75.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1ff96-kimfigure02-1568905595-5.pngkimfigure02-1568905595-5.pngFigure 3: Floorplan of <i>When Attitudes Become Form</i>, from Rattemeyer, “When Attitudes Become Form,” <i>Exhibiting New Art</i>, 131.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/b9b0a-kimfigure02-1568905560-66.pngkimfigure02-1568905560-66.pngFigure 2: Floorplan of <i>Op Losse Schroeven</i>, from Rattemeyer, “Op Losse Schroeven,” <i>Exhibiting New Art</i>, 67. https://articles.themuseumscholar.org/wp-content/uploads/2021/04/0267f-kimfigure01-1568905354-54.pngkimfigure01-1568905354-54.pngFigure 1: <i>The Hand Reverts To Its Own Movement</i>, from Fondazione Antoni Ratti’s website.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/d7ca7-kimfigure01-1568904472-99-1.pngkimfigure01-1568904472-99.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/c56c8-kimfigure01-1568904472-99.pngkimfigure01-1568904472-99.png2021-04-17T01:21:47+00:00monthlyhttps://articles.themuseumscholar.org/2019/09/19/vol3no1doubtsunyeh/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/dc373-byncnd-1570740776-61.pngbyncnd-1570740776-61.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/a0ebb-rplogolor-1570740757-96.pngrplogolor-1570740757-96.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/85951-tmssmall-1570740738-84.pngtmssmall-1570740738-84.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/92e66-tmsmap-1570740200-13.jpgtmsmap-1570740200-13.jpgFigure 1: A map highlighting the cities of participating institutions.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/e92fb-nicolebaste-1570712069-22-1.jpgnicolebaste-1570712069-22.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/87521-nicolebaste-1570712069-22.jpgnicolebaste-1570712069-22.jpg2021-04-17T01:11:27+00:00monthlyhttps://articles.themuseumscholar.org/2020/04/24/tp_vol3_brodefrank/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/17002-byncnd-1587731748-96.pngbyncnd-1587731748-96.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/44c6c-rplogolor-1587731722-24.pngrplogolor-1587731722-24.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/3578c-nempn-1587731677-47.pngnempn-1587731677-47.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/63a19-tmssmall-1587731642-96.pngtmssmall-1587731642-96.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/2df7e-figure7-1587729860-22.jpgfigure7-1587729860-22.jpgFigure 7: Online Talk Board Statistics of comments per week from the weeks of September 16, 2019, to January 13, 2020.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/057d6-figure6-1587729762-42.jpgfigure6-1587729762-42.jpgFigure 6: Online Identification Workflow Statistics from the weeks of August 5, 2019, to January 13, 2020.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/23fba-figure5-1587729668-66.jpgfigure5-1587729668-66.jpgFigure 5: In Exhibit Workflow Statistics from the weeks of August 5, 2019, to January 13, 2020.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/addf9-figure4-1587729602-73.jpgfigure4-1587729602-73.jpgFigure 4: “Classified” constellations from Figure 1.https://articles.themuseumscholar.org/wp-content/uploads/2021/04/3799c-figure3-1587729556-93.jpgfigure3-1587729556-93.jpgFigure 3: Zooniverse iPad app “Museum Mode.”https://articles.themuseumscholar.org/wp-content/uploads/2021/04/26e26-figure2-1587729502-11.jpgfigure2-1587729502-11.jpgFigure 2: Zooniverse iPad app.2021-04-17T01:02:47+00:00monthlyhttps://articles.themuseumscholar.org/2020/06/05/tp_vol3_bakosandfoster/https://articles.themuseumscholar.org/wp-content/uploads/2021/04/1ed66-byncnd-1591362572-46.pngbyncnd-1591362572-46.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/6ae73-rplogolor-1591362555-25.pngrplogolor-1591362555-25.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/260bf-nempn-1591362537-42.pngnempn-1591362537-42.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/d83ec-tmssmall-1591362509-63.pngtmssmall-1591362509-63.pnghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/62d46-origpeoplei-1591367462-83-1.jpgorigpeoplei-1591367462-83.jpghttps://articles.themuseumscholar.org/wp-content/uploads/2021/04/8d692-origpeoplei-1591367462-83.jpgorigpeoplei-1591367462-83.jpg2021-04-15T20:07:47+00:00monthlyhttps://articles.themuseumscholar.orgdaily1.02021-12-10T01:49:23+00:00